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Author Topic: My Open Baffle-Less Speaker Journey  (Read 56112 times)
TransFi
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« Reply #15 on: February 24, 2019, 04:33:53 PM »

So I was vexed by the amount of vibes being transferred to the floor with this arrangement and the rocking back and forth of the frames with subsonic frequencies I was working on a new design. One of my cycling mates was also a carpenter, and I asked for his help with my next project. I wanted to place the woofers low to the ground, but keep the PRV at ear height. We came up with this simple, T-frame arrangement:



The PRV’s were doubled up (why not) and mounted to a pair of 1” aluminium tubes using cable cleats. Substantial 3 x 3 wood was used for the frame make it strong and rigid. With this arrangement the frame did not move. The twin PRV’s projected better and had more depth. This was the best sounding iteration yet.

Still.....I wanted to simplify the design. Looking the the way the woofers were mounted I reasoned if I could join the woofers together, I could use a simpler frame. This was my next design.....a cradle frame:



Here, the woofers could be bolted together using aluminium stand-offs. This could then be treated as a single unit and be supported by the magnets on a wooden cradle with the PRV’s mounted on longer poles to the base:



Another advantage with this ‘modular’ design was it came apart easy for transportation!

I should point out at this stage that our armchair engineers would say this will not work as there would be too much cancellation to get any meaningful bass. I would welcome any skeptics to come and have a listen, and if they don't hear any meaningful bass, I will pay for their petrol home.

It is true, this is not the most efficient way to get bass. It requires possibly double the number of woofers and power vs putting them in a box. However, there is no way I could go back to a boxed speaker arrangement after hearing dipole bass. No box could match the quality I was getting. The texture, purity and detail of this bass is difficult to describe until you experience it. Not only that, it extends deep with the woofers I have chosen which have a Fs of 19.5Hz. They are also very room friendly with bass distributed evenly throughout the room.....no nulls or nodes.

I take a break here as the next evolution of this design will prove revolutionary  shocked
« Last Edit: March 06, 2019, 12:57:22 PM by TransFi » Logged

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ian
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« Reply #16 on: February 24, 2019, 05:00:11 PM »

Revolutionary?  Are you going to hang the woofers on air hooks?  laugh
I'm going to have to get myself over to your place and see for myself, no petrol refund required, I know how much you love bass so I believe you if you say it's there.
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« Reply #17 on: February 24, 2019, 07:23:26 PM »

Looks a lot like celestion sl6000 bass.  They used an equalizer/cross-over with them.  I bet they sound great.
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« Reply #18 on: February 24, 2019, 07:46:03 PM »

You have.thinking now.
Looks pretty easy to implement, I may have to give it a try !
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TransFi
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« Reply #19 on: February 24, 2019, 08:02:06 PM »

Looks a lot like celestion sl6000 bass.  They used an equalizer/cross-over with them.  I bet they sound great.

Indeed.....similar concept which never took off  sad
I think if they had used 15 or 18" woofers instead of 12" they would still be around today!

« Last Edit: February 26, 2019, 06:55:23 AM by TransFi » Logged

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TransFi
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« Reply #20 on: February 24, 2019, 09:35:08 PM »

Final installment ........... sleepy

I am envisaging this as a DIY project. So far, it still involves wood-working skills. Imagine if you could buy the frame off the shelf at minimal cost. The other issue with this design is the cradle still transmits vibrations to the floor and up the poles to the PRV’s. Could I kill 2 birds with one stone?

In my head I had a design to use metal poles and scaffold fittings. Building scaffolding was too big and bulky, but what if they made something smaller?
A bit of googling and I found exactly what I wanted at https://www.themetalstore.co.uk/products/mild-steel-suppliers-uk
Not only that, they would deliver free & cut to size. I designed a metal cradle using 34mm tubes & fittings. Here was the result, £99 delivered!:



And fully assembled scaffold speaker:



The woofer assembly was now supported hammock style by a 2mm steel cable and is free to oscillate back and forth. I was concerned it might do this while listening to music, but it doesn’t. I tested with a frequency generator and oscillation does not occur until 5hz.



The effect of this is total isolation from the floor, in fact no vibes can be felt from the frame itself, nor in the poles supporting the PRV’s. This was the best sounding design bass with no reaction with the room or floor, and nothing to interfere with the PRV’s.

Cosmetically, of course, not to everyone's taste. They have an industrial look, but surprisingly my other half approves of the minimalist design. The eyes tend to be drawn to the woofers rather than the frame. Probably even less intrusive in black, but I love them as they are!

Another hifi buddy suggested a further modification to isolate the PRV’s by eliminating the cleats holding to the poles. After several protoypes, I worked out a method to hang the PRV’s using a cable similar to the woofers:



Eliminated one of the poles, joined the PRV’s together with a brass joining plate, and suspended by the top magnet on a cable. Very simple and this resulted in even better imaging and detail.

So I have been living with this system with over a year and got the itch again



I alway wondered what would happen with 4 x 18” woofers rather than 15”? TBH, the way I play the system the woofers are on their limit in my room when producing deep bass, being rated @ 500Watts. The 18’s would take 1000Watts and have similar efficiency. I recently bit the bullet and went for the Dayton UM18’s. They were not cheap at a EU rip-off price of 1500EU vs US price of $1000  angry

A small frame adaptation allowed me to fit these:



Not sure exactly what I was expecting, but compared to the 15’s the system sounds like its been turbocharged. A huge increase in scale and dynamics with a doubling of everything! The bass can really be pushed now, but surprisingly, it stays in its place without overpowering the mid & highs. There is no muddying, just huge clean controlled bass that really slams with rock, but is also textured and detailed with jazz and acoustic music. I can achieve 110db concert  levels that leave my ears ringing with no signs of strains or distortion in the system.

What have I learned on this journey?

•   No baffle at all sounds best with fewer resonances  and better imaging. Bass is not as extended, but this doesn’t matter for upper frequencies using a bass assisted system.
•   You can get huge bass with no baffle, but you need heavy coned inefficent woofers with a large Xmax, low Fs and high wattage.

It took me 15 years to reach this point and I now feel I can relax and listen to a system that will deliver whatever I am in the mood to listen to. I think I now need to look elsewhere to direct my creativity.

BTW, if anyone is interested in any of the projects I made along the way, please contact me.............
« Last Edit: February 26, 2019, 11:13:02 PM by TransFi » Logged

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« Reply #21 on: February 25, 2019, 08:38:46 AM »

Revolutionary?  Are you going to hang the woofers on air hooks?  laugh
I'm going to have to get myself over to your place and see for myself, no petrol refund required, I know how much you love bass so I believe you if you say it's there.

Ian, you are most welcome. I'll buy you lunch  wink
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« Reply #22 on: February 25, 2019, 09:04:23 AM »

Hi Vic,
Great to see you here again afro
Some journey you have been on!
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TransFi
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« Reply #23 on: February 25, 2019, 10:30:18 AM »

Hi Vic,
Great to see you here again afro
Some journey you have been on!

Thanks Peter.....been fun & informative!
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« Reply #24 on: February 26, 2019, 10:09:20 AM »

Hi Vic,

 ropies_wow Really interesting! It's certainly thinking outside the box.... smiley

I'm curious to hear where your dsp/amp journey has led to?
It appears to cross into that grey area of Hifi- vs -Pro audio?

Some of the Pro options appear too cheap to be taken seriously by the 'audiophile'  Roll Eyes market. Obviously a fool and his money..... That said however, in general high quality audio amplification tends not to be cheap, and is a significant factor in the audio performance of any system.

I'm interested in your thoughts and experiences of the type of amps you have used to drive this fascinating design.

Regards,

J.
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TransFi
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« Reply #25 on: February 26, 2019, 02:27:53 PM »

Hi Vic,

 ropies_wow Really interesting! It's certainly thinking outside the box.... smiley

I'm curious to hear where your dsp/amp journey has led to?
It appears to cross into that grey area of Hifi- vs -Pro audio?

Some of the Pro options appear too cheap to be taken seriously by the 'audiophile'  Roll Eyes market. Obviously a fool and his money..... That said however, in general high quality audio amplification tends not to be cheap, and is a significant factor in the audio performance of any system.

I'm interested in your thoughts and experiences of the type of amps you have used to drive this fascinating design.

Regards,

J.

Hi John

Yeh, I think you are probably right. The PRV's are rated as PA speakers taking 225W RMS with 94db efficiency. Compare that to similar audiophile drivers, which tend to be generally much lower in power & efficiency (eg the Alpairs I was using). I did mention ALL the drivers I tried on this journey (FR's from Drayton, Peerless, NEO 10 planar ribbons), but generally I found the less efficient the FR driver, the less dynamics I got. The PRV's literally explode with the thwack of a snare drum!

The UM18's may be classified as Home Theatre or car speakers. You might be surprised at how much sub sonic stuff there is in recordings, and these are capable of reproducing it. Several times I have got up to answer the front door thinking someone was banging on it only to realise it was the track I was listening to, eg Pink Floyd 'Money' (instrumental section).

So the sound I am after is an audiophile version of a live concert.....which I think I am pretty close to. Most surprisingly, though, is they are capable of soft jazz and acoustic stuff I sometimes listen to.

Most of the power goes into the woofers, so it makes sense to go active with a dedicated amp, and the iNuke suits this application well, also representing great value for money. For bass duties below 300hz I can't fault them. I did try some Crown amps in this application (double the cost), but needed a degree in electronics to set them up. I could not get a sound out of them that approached the Behringer, so I sent them back.

Driving the FR's are MONO amps (latest generation) from Temple audio with a bespoke power supply John made for me. The are driven by passive Bent Audio autoformers. I guess you could call this a 'quality' audiophile amp.

I split the feed from the autoformers, one side going direct to the iNukes, and the other to the MONOs through a 80nF cap to restrict low frequencies. This takes a big load off the MONOs and improves detail & imaging as well as stopping the PRV's from spasing out at volume!

I think to find a single amp capable of delivering the bass power the iNukes can, yet deliver the fidelity of the Temple Audio Monos/audioformers you'd be spending megabucks!

Cheers

Vic
« Last Edit: February 26, 2019, 05:17:31 PM by TransFi » Logged

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« Reply #26 on: February 26, 2019, 03:52:38 PM »

Did not realize that Victor participated in this forum.

I came across his name somewhere went to his website and was amazed at his ingenuity and dedication to getting "music in the home" - as Paul Voight put it.

First you see his turntable which he no longer makes but what a beautiful thing it is.  I am a LENCO user - only the motor and platter with Mr. Reinder's top plate - but wish i had known about this table when Victor was making it.

What took me to the site was a mention of his mat. Reminiscent of the old TRANSCRIPTORs table with the minimal contact between platter and record - and his recommendation of no weights it was like being taken back thirty years.  Either he realized we had all made a wrong turn or he was simply not aware of the marvels of weighting down the LP.  I doubted the latter to be the case so I ordered one.

The man is so reasonable in what he charges I HAD to get one. So I did.  Angelo got the thing on the way immediately and it was here in about two weeks.

When i first put it on the platter I thought "this isn't right at all".  But I left it there to give it a chance.  A few days later I returned to my HERBIE'S and the weighting and it was plain how bloated and ugly the bass is with the mushy mat and weights.  I returned to the Victor mat.  I tried it with the center weight - not recommended by Victor and for good reason.  I have a relatively lightweight TTWeights peripheral ring - the lightest one they made.  I tried it with Victor's mat and it did not ruin things but did not do anything to help.  That thing is a pain to use.  With Victor's approach it is so much easier to play a record without all of the rituals of placing the weights on the record.

The mat is there to stay.

I know this is off subject but part of the subject is one man's vision and approach to audio.  I know I am fascinated with what he is doing with his woofers and plan on giving it a try to compliment my giant wave guide/semi SYNERGY project using a JBL 2441 and four 8 inches drivers per side.  Mouth size - 48 x 72 inches.

For those not familiar with Victor you should go to his website and see what he has done and how he thinks.  He is a pleasure to do business with and in my most unhumble opinion, one of the important fellows in serious DIY audio.
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« Reply #27 on: February 26, 2019, 06:24:06 PM »

Several times I have got up to answer the front door thinking someone was banging on it only to realise it was the track I was listening to, eg Pink Floyd 'Money' (instrumental section).

So the sound I am after is an audiophile version of a live concert.....which I think I am pretty close to. Most surprisingly, though, is they are capable of soft jazz and acoustic stuff I sometimes listen to.


Driving the FR's are MONO amps (latest generation) from Temple audio with a bespoke power supply John made for me. The are driven by passive Bent Audio autoformers. I guess you could call this a 'quality' audiophile amp.

I think to find a single amp capable of delivering the bass power the iNukes can, yet deliver the fidelity of the Temple Audio Monos/audioformers you'd be spending megabucks!

Cheers

Vic

Thanks for a great reply.

Getting up to answer the door has only happened to myself when I've had the volume so loud it's hallucinogenic.  occasion6

I had a sneaking suspicion your setup was a little more sophisticated than your posts reveal.

Inspirational stuff.

Thanks,

J.

« Last Edit: February 26, 2019, 08:08:06 PM by JohnLex » Logged

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« Reply #28 on: February 26, 2019, 06:28:57 PM »

Yah.....I think that's what happened  embarrassed
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« Reply #29 on: February 26, 2019, 08:03:59 PM »

Maybe it should be the ultimate HiFi test...”do you hear imaginary front door knocking”  grin

I’ve experienced it a few times with my system I thought it was annoying but now I know it’s a sign of quality.

Keep the stories coming Vic loving all of your experiments
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